Fog 24F is a work built on the principle of observation. A pure pictorial canvas acts as an open potential, a kind of field of variations, and the ink that fills it "turns on" the pictorial plane, activates this potential.

The work is based on the use of primary painting materials - unprimed canvas and ink. Mascara has an amazing property - it is mobile and fluid. My task is to turn on this flow, indicate the direction, and then the laws of physics are taken into account.

Fog literally grows from the point of contact with the coloring pigment, slowly makes its way through the fibers of the fabric and stops at the point where the force of gravity is stronger than the growing desire. The author in this work is both the artist and time, the property of the material and the laws of physics.