Echoes brings together three artistic positions around the echo as a condition of perception: reflection, memory, mirage, illusion. The echo appears as reverberation—of light, place, orientation. A fragile trace. Unstable. A signal that keeps pointing to the in-between.

Numb (single-channel film)

Numb treats the echo as orientation under drift. The film unfolds inside dense mist. Familiar shapes surface, then dissolve. The fog becomes a decision space: signs appear as guides, then collapse into misdirection—hallucinated routes, unstable markers. The echo is visual: brief fragments of recognition, swallowed by light. The viewer sits at the edge of perception, where visibility fails.

Vol (installation + video)

A square of light hangs overhead on cables—plain, technical.

Air: real sky filmed from an airplane. A continuous drift of clouds where nothing happens and everything keeps changing. Height is reproduced and runs as footage, as signal—cool, steady, endlessly refreshed in a loop.

The gray of the sky matches the gray of the ceiling metal. Outside enters inside without a gesture, without theatre, without symbol. Just another surface carrying distance.

A quiet lyric sits in that alignment: altitude as a fact you can’t keep—only relay.