Narcissus implements a feedback loop as a physical condition.
A rigid freestanding frame (80 × 80 × 200 cm) holds a screen/light source emitting a calibrated yellow field with slight state shifts. Below, a shallow tray (60 × 60 × 10 cm) contains a silver reflective liquid (oil mixed with metallic powder) that returns the signal as a clean mirrored image. The setup produces a loop: output → reflection → confirmation.
The piece reframes Narcissus as a technical regime. No face appears. The “self” is replaced by a stable signal and a surface designed to confirm it. Yellow functions as a signature state—clean, legible, “correct”—repeated and re-validated through reflection. The reflective liquid introduces controlled instability: micro-variations in surface behavior make the loop feel alive while remaining locked to the same operation.
The work reads instantly in a festival environment: a minimal machine of self-reference. It stays silent, needs no dark room, and presents as an operational object rather than a narrative screen.